10/30/2022 0 Comments Schubert die forelle free mp3 download![]() ![]() Die Forelle is in modified strophic form which adds a dash of dramatic variety to the charm of the whole. The shape of the vocal line is also remarkably similar to that of Erinnerung: Die Erscheinung, a Kosegarten song from 1815 which is also set at the water's edge. Examples of this are the openings of Heidenröslein, and of the Schlegel settings Der Schmetterling and Der Knabe where butterfly and bird are given voice in measured quavers in the same carefree folksong mode. There is something about the movement of even quavers in 2/4 which the composer identifies with the innate perfection of flora and fauna. The vocal line is in Schubert's best tradition of saluting the wonders of nature. By the time we know the outcome of the story we might add, as so often with Schubert, “Enjoy it while you can, it might not last long”. In conjunction with the marvellous tune it energises us and sets the foot tapping and the eyes dancing, as if we are at one with that trout in the sheer pleasure of being alive. SCHUBERT DIE FORELLE FREE MP3 DOWNLOAD FULLThere is something about the sheer cheekiness of this motif which conveys utter delight – the joy in being free and full of energy. The arpeggio is caught up on the lines of the stave and, as it breaks and spreads beneath the pianist's fingers, the glint of adjacent semitones add a head of sparkle to the stream of music. Like the refraction of light this has chromatic implications. The darting movement of the fish causes the water (hitherto represented by a simple arpeggio) to break up into a hint of spume and spray. The trout is brought to life at a stroke all of a sudden we can see (or rather hear) its collision with the smooth surface of the stream. At 'ich stand an dem Gestade' the pattern changes: instead of a sextuplet built around the chords of D flat and A flat7, the composer devises a little rush of notes, an ornamentation of the main motif, which contains at its centre a tiny chromatic figure of three linked semitones. It is inconceivable, however, that what follows could have been thought of by anyone other than Schubert. It is just possible that someone else might have thought of the idea of the rippling arpeggio which accompanies the beginning of the vocal line (at 'In einem Bächlein helle') and which depicts the flight of an arrow or the merry upward movement of the fish through an octave and a half's stretch of water. Schubert in the guise of open-hearted country lad has always been especially irresistible, particularly to those who like their composer sunny and uncomplicated, and this song (despite its flirtation with the animal rights lobby) neither offends or challenges those who might be perplexed by the composer's darker side. ![]() ![]() It has the memorability of a folksong, a type of melodic inevitability which only the great tunesmiths can achieve the piano writing (by no means easy to play) adds a dash of sophistication and a touch of virtuosity. There is a freshness, a zest, an innocence about this music which has hooked its listeners since the song was composed. This is perhaps the most celebrated of all Schubert's Lieder and although there are well-known and much loved songs which are more profound and more moving it is easy to understand its pride of place in a list of Schubertian hits. ![]()
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